I'm desperate for him to hand it over to Eric Schaeffer and let him go at it. Martin Guerre really belongs in a smaller format that Signature's space is perfect for, and Cammack has trusted Eric with other things before (namely Witches of Eastwick). We'll see how Miss Saigon goes this autumn, but Eric did the best LM I've ever seen.
I think what it really needs is the plot and lyrics of the London closing version in the scene order of the fully revised (UK/US tour) version. Benoit was better, the issues with religion and the land inheritance/sale were better explicated, and Louison on fire always wins. But I completely understand the reordering, since our main character is Arnaud, and a better exploration of the relationship between Martin and Arnaud helps explain how Arnaud was able to pull some of this off.
The problem is that Cammack doesn't want to pay residuals to anyone who worked on the London version, so unfortunately, I don't think he'll ever hand over everything to anyone.
My French class first year at uni was really a preparation for writing in French so we'd be better prepared to take additional classes. So that we'd have a topic, the professor I had focused on Martin Guerre. We watched Le Retour de Martin Guerre and Sommersby and were writing papers comparing them (but we didn't read the Natalie Zemon Davis book). And I got permission to write about the B&S version too because my prof was cool like that

And at the end of that term, I went to Detroit because it was the closest venue the tour was coming, and I cried my way through and it was amazing (Stephen Buntrock and Hugh Panaro had a really phenomenal vocal mix on their duets, and Jose Llana was an utterly heartbreaking Guillaume). And then the whole "not Broadway" thing was handled terribly, very unprofessionally.
"Don't let the tides of your heart rise or they'll tear you apart" - that show taught me so much about show business. I was an old, bitter hand by the time Jane Eyre went to Broadway.
What kind of literature and what kind of life is the same question. - Tom Stoppard