Col.Despard wrote:And guys? Thank you. In an otherwise foul day, there was one highlight:
MATURIN KNOWS DESPARD!!!!!!!
Didn't know whether to cry aloud on the morning commute in glee or just hug the book. It was a throw away reference, to be sure - Maturin recalls something Despard said to him about the number of cryptic Catholics in the UK - but it kept me going all morning. Hints very nicely at the nebulous Despard-United Irishman link that has never been fully substantiated, relying as it does on inference and the dodginess of paid spies and informers. Sad to think what dire straights Despard himself was in at the time the first book is set, and to what end he will shortly come.

Col.Despard wrote:Erm...it works? Thanks, Cary! I won't go into everything I suspect is wrong with it, for fear that everyone will see the problems highlighted like I do when I look at it. I'm just so unfamiliar with musical instruments - the only thing I could manage is the flute, and even then I'd need a clear reference for it. I'm terrified not just of the technical blunders, but also of missing more subtle nuances of how people interact with the instruments.


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